Anna Russell

The London band Pushy Pushy Pushy refutes the notion that artists can’t be mothers.

On “Fargo,” which returned to FX last month, Temple plays Dot, a Minnesota housewife with a dark past. Dot’s on the run from Roy Tillman (Jon Hamm), a county sheriff with a mean streak. “She’s a kick-ass woman who has survived a lot and seen a lot,” Temple said of Dot. “And it’s made her the brilliant mom, and loving wife, and Bisquick-pancake-making ninja that she is.” The role required nailing a strong Minnesota accent, and Temple had a session with a dialect coach later that afternoon. “Oh, g…

On Monday morning, Hyde Park was like a sombre festival ground as masses gathered to pay their final respects.

To block the construction of a railway that could destroy ancient forests, climate activists in the U.K. have begun digging tunnels in its way, and living underground for weeks.

A new retrospective celebrates one of Britain’s most prominent and inventive artists.

In a new adaptation of the novel, two cousins navigate family, marriage, and their complicated friendship.

A new exhibition explores the book’s long afterlife.

After a meticulous face-lift, London’s three-hundred-and-fifty-eight-year-old Theatre Royal Drury Lane will finally be able to present “Frozen.”

The artist Philippa Found compiled hundreds of written accounts of love in the time of COVID-19 for a project called “Lockdown Love Stories.”

After seeing the rest of the world reported on so often through an American lens, it is somehow reassuring, in Theroux’s documentaries, to see the tables turned—America as a foreign country.