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Ann Hornaday

Ann Hornaday

Movie critic at The Washington Post

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Influence score
53
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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

washingtonpost.com

Review | In ‘The Phoenician Scheme,’ it’s the transactional vs. the transcendent

Wes Anderson’s new movie stars Benicio Del Toro as a ruthless arms dealer in the midst of a moral reckoning.
washingtonpost.com

DC/DOX enters its third year amid a changing world for nonfiction film

The Washington-based film festival encounters an industry facing major disruptions which, organizers say, might not be all bad.
washingtonpost.com

‘Materialists’ gives the rom-com a new look, through a gimlet-eyed ...

Dakota Johnson plays a modern-day matchmaker in Celine Song’s bittersweet meditation on love and commerce.
washingtonpost.com

Column | Stop blaming ‘Jaws’ for ruining movies

Steven Spielberg’s 1975 sleeper hit has been credited and criticized for helping create blockbuster culture. It endures because of the fundamentals.
washingtonpost.com

Column | A parade of docs made its own statement in D.C. this weekend

The third edition of DC/DOX provided counterprogramming and context to the military pageant happening just blocks away.
washingtonpost.com

Review | Pitt crew helps ‘F1’ succeed with flying colors

Brad Pitt’s Formula One drama offers summer audiences just the right amount of noise, spectacle and movie-star magic.
washingtonpost.com

Review | In ‘Heads of State,’ the special relationship is strictly ...

John Cena and Idris Elba play a U.S. president and British prime minister in a rote but real-world-adjacent action comedy.
washingtonpost.com

‘Superman’: The original superhero is back, with a brisk new attitude

David Corenswet brings sincerity and strength to the latest mixed-bag adaptation of the timeless comic book.
washingtonpost.com

‘Sorry, Baby’: When bad things happen to smart women

Viral video creator Eva Victor makes an impressive writing-directing debut on the big screen.
washingtonpost.com

‘Eddington’: The early days of covid seen through a glass, weirdly

Ari Aster puts his signature bizarre touch on the spring of 2020, when pandemics, politics, posts and pings drove America around the bend.
washingtonpost.com

Review | In ‘To a Land Unknown,’ a new lens on the timeless story o...

Mahdi Fleifel’s street-level drama bursts with energy and pitiless realism, with dashes of poetry.