Ann Binlot

Martha Graham, Diane Arbus, and Merce Cunningham once worked in Westbeth, a creative housing complex and the subject of photographer’s new book

In the wake of her installation at Central Park and exhibition at Sean Kelly Gallery, Sam Moyer speaks to Document about creating art in isolation

The legendary photographer speaks with curator Natasha Egan about his relationship to his subjects and the institutional response to Black Lives Matter

The painter on Black Compositional Thought, the climate crisis, and how scuba diving informs her work

The Hollywood icon and Henry Rose founder joins Document to discuss the dangers of an unregulated industry and her emotional relationship with fragrance

The cause was complications from cancer, according to her family.

Loie Hollowell, Jesse Mockrin, Xiuching Tsay, and Naotaka Hiro, whose work is featured in a Kohn Gallery group exhibition, on the shifting foundations of identity

Space for Giants partners with Gemfields and Net-a-Porter to save the elephants  Document Journal

The Dior Men designer even recreated the berets in Boafo’s portraits, turning them into real hats

The surprise reunion is an uplifting glimpse into our country’s post-corona future

Our president still refuses to cover his mouth, which probably means you should

Tracey Ryans on trading the glitz and glam of New York for rural Rhinebeck  Document Journal

Kim Jones’s curated selection of works for a Sotheby’s auction included works by Cindy Sherman, Donald Judd, and Richard Prince.

Surgical masks dominated front rows this week—why I’m not wearing fashion’s new favorite accessory.

Olaf Breuning refreshes his cheeky creativity in the Hudson River Valley  Document Journal

The Swiss artist Olaf Breuning wants to raise environmental awareness with his latest exhibition at Carbon 12 in Dubai.

Samuel Jablon and Mark Flood talk dirty words, hedonism, psychotropic drugs  Document Journal

Denny spoke to Document about the politics of power dressing and how Thatcher’s neo-liberalism shaped Silicon Valley.

On the eve of his first show in Milan, Samuel Ross beckons a new era of luxury for A-Cold-Wall*  Document Journal

Telfar Clemens explains why the Harlem and Italian Renaissances were PR campaigns  Document Journal