Top Journalists
>
Angelica Bastién

Angelica Bastién

Staff Writer/Critic at Vulture - New York

Contact this person
Email address
a*****@*******.comGet email address
Influence score
68
Phone
(XXX) XXX-XXXXGet mobile number
Location
United States
Languages
  • English
Covering topics
  • Entertainment

View more media outlets and journalists by signing up to AI PR

View latest data and reach out all from one place
Sign up to AI PR Toolkit

Recent Articles

vulture.com

Review: ‘Onslaught’ Is All Blood, No Guts

Adam Wingard’s latest film is a too-slick wannabe grindhouse action-slasher lacking the engine necessary to power it.
vulture.com

Coyote vs. Acme Is a Commanding, Heartfelt Argument Against Corpora...

More importantly, it’s funny too.
vulture.com

Netflix’s The Last House Is a Perfectly Terrible Film for These Art...

Greta Lee and Wagner Moura deserve better than Netflix’s simulacrum of a movie.
vulture.com

The Odyssey’s Circe Is the Best Female Character Nolan Has Ever Wri...

Nolan’s never been great at writing women, but what doesn’t exist on the page Samantha Morton conjures through a tricksy, powerhouse performance.
vulture.com

Evil Dead Burn Is a Grueling Hell I Would Not Choose to Revisit

If you need horror to emotionally earn its nastiness, you’ll find the new Evil Dead as soulless as the Deadites.
vulture.com

In Angelina Jolie’s Couture , the Metatextual Is the Star

Writer-director Alice Winocour gives Angelina Jolie and her cast of women the opportunity to craft a yearning emotional state.
vulture.com

‘Office Romance’ Is Almost What We Need From a Rom-Com

Jennifer Lopez’s new Netflix movie is cute, but it also reminds us that Hollywood rom-coms are in dire need of reinvention.
vulture.com

I Love Boosters Is Colorful, Gonzo, and an Absolute Mess

Boots Riley’s audacious sophomore film lacks curiosity about the interior lives of his characters, undermining his political message.
vulture.com

‘The Drama’ Can’t Commit to Its Provocative Premise: Review

The rom-com places a Black woman at the center of a very American controversy and does little more than wink.
vulture.com

The 2026 Oscars Needed ‘Sinners,’ Even If It Didn’t Win

More than Ryan Coogler’s movie needed 16 Academy Award nominations or a Best Picture win.
vulture.com

Film Is in Its Own Crisis, Timothée

Chalamet might not realize it, but he is expressing a fear that is not being reckoned with by his peers.