Angelica Bastién

The sequel has none of the joy of the original, only the calculated machinations of studio executives and actors who won’t let their characters grow.

Adam Wingard’s latest film is a too-slick wannabe grindhouse action-slasher lacking the engine necessary to power it.

More importantly, it’s funny too.

Greta Lee and Wagner Moura deserve better than Netflix’s simulacrum of a movie.

Nolan’s never been great at writing women, but what doesn’t exist on the page Samantha Morton conjures through a tricksy, powerhouse performance.

If you need horror to emotionally earn its nastiness, you’ll find the new Evil Dead as soulless as the Deadites.

Writer-director Alice Winocour gives Angelina Jolie and her cast of women the opportunity to craft a yearning emotional state.

Jennifer Lopez’s new Netflix movie is cute, but it also reminds us that Hollywood rom-coms are in dire need of reinvention.

Boots Riley’s audacious sophomore film lacks curiosity about the interior lives of his characters, undermining his political message.

The rom-com places a Black woman at the center of a very American controversy and does little more than wink.