Andrew Berardini

Andrew Berardini examines Iraqi artist Ali Eyal's paintings of memory and loss.

Andrew Berardini reports from the opening of the SITE Santa Fe 12th International.

All of the locals, myself included, put on a good face for the sundry visitors and far-flung friends who had traveled to Los Angeles for the fairs this past February, but when we bumped into each other in dazed pairs and trios, we talked about the fire.

If you’ll forgive me this slant, I can talk about what has been. A cosmopolitan city with a deep and weird art history, a huge community of support, dozens of museums and nonprofits and dozens of commercial galleries, where still, if only barely, one can mostly afford to live as an artist.

Andrew Berardini visits FOG Design + Art

View of “Robert Barry,” 2015. Photo: Joshua White. Passing through Rudolph Schindler’s Bethlehem Baptist Church, one witnessed fifty-one glimmering words, which whispered from the walls of this nea…

View of “Bill Jenkins and Chadwick Rantanen,” 2015. An observatory for barely unpacked product and its packaging, this complex, interweaving installation of Chadwick Rantanen’s machines and Bill Je…

Michel Auder, Chelsea, Manhattan–NYC, 1990 (edited 2008), Hi8 video transferred to digital video, color, sound, 6 minutes 21 seconds. I can see you. Perched near a window, looking down on the heat …

ANDREW BERARDINI ON JOHN BOSKOVICH’S BOSKOSTUDIO, 1996–2006

Andrew Berardini at the RenBen 2022