In “John Proctor Is the Villain,” the actress is among a group of students studying “The Crucible,” just as the #MeToo movement tears through their classroom.
El vuelo exclusivamente femenino de Blue Origin muestra que las mujeres ya pueden disfrutar de los beneficios más extravagantes del capitalismo junto a los hombres ricos.
We cannot escape the influence of the technological elite — and now, in tales like ‘Mountainhead” and “Careless People,” we imagine that they cannot escape us.
In “Luigi: The Musical” and across the internet, artists, journalists and supporters vie to shape the murder suspect’s symbolic reputation: villain, hero, terrorist, martyr, fantasy, enigma.
Nuevos tipos de juguetes, algunos para niños de tan solo 3 años, se venden como una alternativa al entretenimiento de las pantallas. Aunque pueden traer ciertos riesgos.
Kat Timpf got pregnant, got breast cancer, then got back to work on the political comedy show “Gutfeld!” — all as a culture war brews over ambition, motherhood and women’s health.
Cady Hoffman and her husband, Bryan Loyd — Fandy and Adamax, to their Twitch followers — talk about broadcasting their daughter’s birth to almost 30,000 gamers.