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Amanda Gluibizzi

Amanda Gluibizzi

Art Editor at Brooklyn Rail

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  • English
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  • Art

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Recent Articles

brooklynrail.org

Amy Sillman: Temporary Object

We could compare it to storyboards, as indeed, the gallery does, but Sillman allows us more control than we’re given when watching a movie. We’re not simply passive viewers; through our agency the objects are activated. In this way, though monochromatic and hard and made after the moves of painting—and therefore unlike Sillman’s limpid drawings, with their transparent medium and evident switchbacks—Temporary Object bears an important resemblance to the drawings included throughout and testifies…
brooklynrail.org

Exemplary Modern: Sophie Taeuber-Arp with Contemporary Artists

If you missed, or have been missing, the MoMA show, Hauser & Wirth’s current Exemplary Modern: Sophie Taeuber-Arp with Contemporary Artists, which includes works that were exhibited at the museum, will tide you over until your next trip to Switzerland.
brooklynrail.org

Myrtle Williams: Spirit of the Sisterhood

What a season for seeing contemporary ceramics in New York. Works by Eiji Uematsu, Edmund de Waal, and Ken Price are all being displayed simultaneously, while Grounded in Clay at the Metropolitan Museum celebrates the history and practice of Pueblo pottery from its origins to the present day. And at Salon 94, Myrtle Williams’s first solo show in New York has immediately added her to this list of masters of the medium.
brooklynrail.org

The Echo of Picasso

Curated by Eric Troncy in commemoration of the fiftieth anniversary of the artist’s death (Almine Rech is married to Picasso’s grandson, Bernard Ruiz-Picasso), and complemented by important exhibitions dedicated to Picasso at museums and galleries throughout New York, The Echo of Picasso demonstrates the very real influence—whether positive or anxiety-inducing—that the artist still exerts on art today.
brooklynrail.org

The Echo of Picasso

Curated by Eric Troncy in commemoration of the fiftieth anniversary of the artist’s death (Almine Rech is married to Picasso’s grandson, Bernard Ruiz-Picasso), and complemented by important exhibitions dedicated to Picasso at museums and galleries throughout New York, The Echo of Picasso demonstrates the very real influence—whether positive or anxiety-inducing—that the artist still exerts on art today.
brooklynrail.org

Astrid Klein

Astrid Klein’s “photoworks,” on display in New York for the first time at Sprüth Magers, operate on several levels. The eight photographs of collages, printed at movie-poster scale using a photographic enlarger, depict female film stars of the 1960s and ’70s.
brooklynrail.org

Christopher Wool: See Stop Run

“You must be here for me,” said a woman sitting at a small desk in the lobby of 101 Greenwich. Whether we didn’t look like office workers, or there are no office workers who head into 101 Greenwich on a weekday afternoon, was left unexplained. We were shown to a dedicated elevator that whisked us to the nineteenth floor where artist Christopher Wool has rented the entire story to install his largest exhibition since his 2014 Guggenheim retrospective.
brooklynrail.org

Sonia Delaunay: Living Art

“In [Sonia Delaunay’s] studio,” a 1927 advertising flyer promised, “you will know that you are seeing something new, something that… will transform your life into a work of art.” Delaunay’s Paris atelier in the twenties was producing textiles, carpets, garments, movie sets, furniture, books, and paintings—everything a person might need for an artful existence and all made in the “simultaneous” (simultané) style that the artist developed with her husband, the painter Robert Delaunay.
brooklynrail.org

Eva Hesse: Five Sculptures

The bright creaminess of what was the newly completed sculpture has darkened to a warm sepia, almost as if it were an aged photograph of the thing in addition to the thing itself. The expansion is expanded, in the past. It is done.
brooklynrail.org

Hugo McCloud with Charles M. Schultz

Hugo McCloud likes to work with his hands. He’s a builder who thinks about making sculptures the way certain philosophers think about knowledge, as a process. There is no absolute, no certainty; the way the material transforms guides his approach to working with it.
brooklynrail.org

Albert Oehlen with Mark Hudson

German artist Albert Oehlen began painting as a teenager and has continued working throughout the decades, moving from figuration to abstraction in a manner that makes the distinction less meaningful than it is for most painters. Oehlen’s interest in artificiality and the formal processes of layering and of experimentation underlie his recent work.