Alison Willmore

The sequel to the 2016 hit needs better songs and better bad guys.

By any wider standard, that means that the World War II drama is still not bad at all.

The Latvian animated film is a wordless survival story that lets its animals act like animals.

Ridley Scott’s sequel might make you wonder if we’ve lost the ability to treat brawny historical epics earnestly.

Starring a tatted-up Barry Keoghan, the film resembles a dream director Andrea Arnold had that she only semi-successfully translated to the screen.

Honestly, the Dwayne Johnson–Chris Evans action comedy would be more interesting if it actually were a disaster.

Tom Hanks and Robin Wright reunite for a movie that uses a bold formal device to incredibly hokey ends.

The new nontraditional documentary from the director of Atlantics looks at the restoration of 26 plundered artworks to Benin.

And even though Tom Hardy’s digitally enhanced hand-puppet act is fun to watch, that starts to feel insulting.

Stephen Maing and Brett Story’s film is a gorgeously made document of a labor battle against the behemoth that is Amazon.