Alison Croggon

MTC offers a rare opportunity to enjoy the brilliance of Suzan-Lori Parks’s work, with a devastating production of her Pulitzer Prize-winning play, Topdog/Underdog.

Melbourne Theatre Company’s production of Tennessee Williams’ A Streetcar Named Desire is a nuanced departure from the blueprint created by Elia Kazan’s classic film.

With Richard Bell and Deborah Cheetham Fraillon featuring in its public artworks, a ‘future-forward’ drag show and other events, First Nations artists are the headline act at this year’s Rising.

Homo Pentecostus is a complex and moving exploration of the relationships between religion and spiritual and sexual experience.

Marrugeku and the West Australian Opera are the undeniable stars of this last Perth Festival under Iain Grandage’s stewardship.

The latest staging of two short Caryl Churchill plays is an example of the artform at its best, offering moments of exquisite theatre.

The ‘perpetual revolution’ of Mexican Modernist art is on full display at the Art Gallery of South Australia, including the mischief, joy and pain of Frida Kahlo’s iconic work.

Florentina Holzinger’s ecstatic dance work TANZ is a standout in Melbourne’s winter Rising festival. It is a wild, confronting meditation on care, permission and desire.

The future of Twitter under Elon Musk is deeply uncertain, leaving its tight-knit communities of users searching for new platforms to talk across boundaries and encounter new ideas.

As a feminist interrogation of Tolstoy’s classic, Anna K is a disappointingly cosmetic treatment.