newyorker.com
What redeemed the show—which was created by Steven Zaillian and Richard Price, based on the British series “Criminal Justice”—was Ahmed’s magnificent performance, and the disturbing, and convincing, coming of age his character underwent during his time behind bars. At Rikers, Naz, a “good boy” from a middle-class Pakistani family, suddenly enters a world of casual beatings and knifings, rape, and drug smuggling. Groomed by a nurturing and manipulative inmate named Freddy (Michael K. Williams), h…
over 8 years ago