In “Ira Gershwin: A Life in Words,” Michael Owen offers a sympathetic portrait of the lyricist, overshadowed in a life that had him tending the legacy of his younger sibling George.
In “Giant Love,” the novelist’s great-niece chronicles the Texas saga’s divisive reception and the epic film adaptation that’s now better known than the book.
The first volume of her frank autobiography is a testament to resilience, chronicling a grim childhood and the brazen path to stardom, with and without Sonny.
In an eye-opening collection, Emily Mester considers why she, and we, seek satisfaction by obsessively choosing, buying and rating the objects we desire.
Johnny Carson dominated late-night television for decades, but closely guarded his privacy. Bill Zehme’s biography, “Carson the Magnificent,” tries to break through.
Three new books make the case for music as medicine. In “The Schubert Treatment,” the most lyrical of the trio, a cellist takes us bedside with the sick and the dying.
Dorothy Parker worked on the script for “A Star Is Born,” but the tragic ending was all hers, while Bruce Eric Kaplan manages to find the mordant laughs in today’s industry foibles.
In “Don’t Be a Stranger,” Susan Minot once again explores female desire, staging a romantic collision between a divorced mother and a much younger musician.