Adam Sternbergh

The Apple TV hit is just the latest of a particular kind of paranoid thriller, one that addresses the anxiety that our enemies are the people closest to us.

Charles Baxter’s new novel is a snapshot of a troubled America, disguised as a speculative comedy.

“The Stolen Coast,” by Dwyer Murphy, is a heist novel involving rough diamonds, crooked lawyers and masters of the double cross.

We’re living in a rage-filled emotional dystopia. Is there a way out?

Daniel Nieh’s “Take No Names,” filled with international intrigue and cross-border conflicts, is a noir novel for the modern age.

In S.A. Cosby’s new novel, “Razorblade Tears,” two fathers avenge their sons’ murders in great gothic geysers of blood.

The city was glorious without tourists. But that time must come to an end.

Jonathan Ames, known for his confessional essays and TV shows like “Bored to Death,” tries his hand at a detective novel with “A Man Named Doll.”

The pandemic has dampened the celebrations worldwide. But a Times special project, which includes an interactive music mixing feature, lets readers get into a party mood.

The process of publishing an excerpt from the author’s new novel was just as mysterious as the writer herself.