A.Z. Madonna

Erica Tremblay’s debut feature tells the story of two women searching for a missing loved one while preparing for a powwow.

Music director Mischa Santora and jazz pianist/electronic artist Michael Cain collaborate on music for the new ballet by choreographer Ken Ossola.

Berlioz’s “dramatic symphony” features vocal soloists and chorus, but the orchestra is the star of the show.

The Handel and Haydn Society’s annual run through Bach’s six Brandenburg Concertos has become a crowd favorite.

The academy was cofounded by violinists and twin sisters who learned music in Venezuela’s storied national music education program, El Sistema, before attending Boston Conservatory.

Because of St. Patrick’s Day, March is an especially busy season for most performers of Celtic music, but for Brian, “every month was an important music month.”

David Hemingson is an Oscar nominee for his script.

BLO’s cast had the comic acuity to carry the dialogue as well as the vocal chops to (mostly) handle the music.

Ozawa served as BSO music director between 1973 and 2002.

On Feb. 16, the attorney, author, and civil rights activist will narrate Joseph Schwantner’s “New Morning for the World” at Symphony Hall.

Grammy-nominated countertenor (and Jamaica Plain resident) Reginald Mobley and baroque violinist Rachel Podger co-curated a program featuring three composers who called London home.

Michael Coelho, a Fall River native who teaches in the Ipswich Public Schools, was the only New Englander to reach the final round for the Grammy Music Educator of the Year Award.

For her two recitals in Boston and Groton, she’s taking a back-to-basics approach with what some call the three B’s of classical music: Bach, Beethoven, Brahms.

Fortunately for local classical music listeners, the first months of 2024 are somewhat uncommonly flush with reasons to leave the house.

Motets with three sets of lyrics, folk carols with accordions and bagpipes, and a Christmas Eve choral service from King’s College in Cambridge, England

The oratorio is ubiquitous — and while it’s associated with Christmas, the music has proven to transcend faiths.

The ensemble has performed Handel’s classic oratorio around Christmas every year since 1854.

“The Dragon of Wantley,” a madcap burlesque, was the most popular English opera of the 18th century.

Conductor Thomas Adès drastically reduced the BSO’s instrumentation to lead Ligeti’s Concerto for Piano and Orchestra with pianist Kirill Gerstein.

Kavakos’s keen rendition of Berg’s Violin Concerto and a manic joyride of a Schumann symphony rewarded listeners who braved the early darkness.