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A.O. Scott

A.O. Scott

Critic at Large and Film Critic at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Books
  • General Assignment News
  • Entertainment

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Recent Articles

nytimes.com

Helen Vendler: An Appreciation - The New York Times

She devoted her life to showing us how and why.
nytimes.com

‘Oppenheimer,’ ‘The Maniac’ and Our Terrifying Prometheus Moment - ...

How an ancient Greek myth explains our terrifying modern reality.
nytimes.com

'The Velvet Underground' Review: And Me, I'm in a Rock 'n' Roll Ban...

Todd Haynes’s documentary paints a jagged, revelatory portrait of the New York avant-garde scene of the 1960s.
nytimes.com

‘Dead for a Dollar’ Review: How the Western’s Done

Walter Hill’s lean, mean shoot-’em-up is a master class in B-movie craft.
nytimes.com

'Ahed's Knee' Review: A Filmmaker's Agony in the Desert (Published ...

Nadav Lapid’s new film, about a brooding director much like himself, is a howl of rage at the state of Israeli society.
nytimes.com

‘Catch the Fair One’ Review: The Fight of Her Life - The New York T...

The real-life boxer Kali Reis plays a pugilist in search of revenge.
nytimes.com

'One Night in Miami' Review: Regina King Directs and Leslie Odom Jr...

A 1964 meeting of Malcolm X, Cassius Clay, Sam Cooke and Jim Brown is the subject of Regina King’s riveting directorial debut.
nytimes.com

‘Becoming Cousteau’ Review: The Old Man and the Sea - The New York ...

Liz Garbus’s new documentary is about the life of the French explorer Jacques-Yves Cousteau and the fate of the oceans he loved.
nytimes.com

The Future of Movies Collides With the Past at the New York Film Fe...

Memory and storytelling are intriguingly intertwined in work by world-class filmmakers that confounds and intrigues.
nytimes.com

In William Maxwell’s Fiction, a Vivid, Varied Tableau of Midwestern...

Though his novels and short stories — published over six decades, beginning in 1934 — are set in an older, more decorous America, he grapples with themes that feel shockingly contemporary.
nytimes.com

‘No Sudden Move’ Review: Don’t Forget the Motor City - The New York...

Don Cheadle and Benicio Del Toro star in Steven Soderbergh’s new film, a Detroit-set period thriller with a lot on its mind.
nytimes.com

‘In the Heights’ Review: In Dreams Begin Responsibilities - The New...

Lin-Manuel Miranda’s musical comes to the screen as an exuberant and heartfelt party, directed by Jon M. Chu and starring Anthony Ramos.
nytimes.com

'Soul' Review: Pixar's New Feature Gets Musical, and Metaphysical (...

This inventive tale stars Jamie Foxx as a jazz musician caught in a world that human souls pass through on their way into and out of life.
nytimes.com

'The United States vs. Billie Holiday' Review: Singing for Her Life...

Lee Daniels’s hectic biopic portrays the singer as a victim of abuse, addiction and government persecution.
nytimes.com

‘Hillbilly Elegy’ Review: I Remember Mamaw - The New York Times

Glenn Close and Amy Adams star in Ron Howard’s Hollywoodized version of J.D. Vance’s best seller.
nytimes.com

‘Da 5 Bloods’ Review: Black Lives Mattered in Vietnam, Too (Publish...

Spike Lee’s new joint is an anguished, funny, violent argument with and about American history, with an unforgettable performance from Delroy Lindo at its heart.
nytimes.com

'Palm Springs' Review: Déjà Vu All Over Again (Published 2020) - Th...

Andy Samberg and Cristin Milioti star in a fresh and funny comedy that might remind you of something you saw before.
nytimes.com

‘Beyond the Visible: Hilma af Klint’ Review: What Did She See, and ...

How the rediscovery of a Swedish abstract painter changed the course of art history.
nytimes.com

'First Cow' Review: The Milk of Human Kindness (Published 2020) - T...

Set in the mid-19th-century Oregon Territory, Kelly Reichardt’s latest film is a fable, a western, a buddy picture and a masterpiece.
nytimes.com

'The Irishman' Review: The Mob's Greatest Hits, in a Somber Key (Pu...

Robert De Niro, Al Pacino and Joe Pesci star in Martin Scorsese’s monumental, elegiac tale of violence, betrayal, memory and loss.
nytimes.com

‘Motherless Brooklyn’ Review: Edward Norton Fights the Power Broker...

The actor directs and stars (along with Gugu Mbatha-Raw and Alec Baldwin) in a big, ambitious adaptation of Jonathan Lethem’s prizewinning novel.