A.A. Dowd

When Tom Cruise literally walks across an airplane in mid-air, the least we can do is watch.

SNL alum Kyle Mooney’s directorial debut is audacious in concept but pretty slapdash in execution.

With Ridley Scott’s 1979 masterpiece ‘Alien’ returning to theaters this weekend, we’re revisiting the franchise’s soaring highs and gruesome lows.

M. Night Shyamalan’s proudly illogical thriller has a great premise but only really gets interesting after it abandons it.

What if Rudolf Höss isn’t vomiting out of remorse? What if it’s his own irrelevance dawning on him instead?

The A24 wrestling drama ticks a lot of the Academy’s usual boxes. So why did it fail to pick up a single nomination?

The ending of David Fincher’s latest is a pointed subversion, a curveball with a purpose.

For such an unprecedented season, the Love Is Blind reunion was an unexpectedly muted affair, with the contestants who did appear actually managing to conduct themselves like adults. We break down the night’s highs, lows, and whoas.

From Paul Mescal’s ‘All of Us Strangers’ (directed by Andrew Haigh, co-starring Andrew Scott) and ‘Foe’ (co-starring Saoirse Ronan), to Annie Baker’s ‘Janet Planet’ and the A24 series ‘The Curse,’ with Nathan Fielder, Emma Stone, and Benny Safdie.

With his revenge masterpiece, Oldboy, returning to theaters, we’re ranking the director’s films.

In 1990, Bugs Bunny, Garfield, the Smurfs, Slimer, and other cartoons joined forces to shame a 14-year-old who smoked a little pot.