Victoria Looseleaf

Inside 2220 Arts+Archives, L.A.'s Hub of Experimental Arts

Aspen Music Festival Announces LA Phil Exec Meghan Umber as Its Next CEO

Jodie Landau’s Performance of Self : an Ever-Evolving Meditation on Identity

Organist Anna Lapwood Embraces Movie Music — and Popularity

“Tragedy and humor, they’re pretty much the same thing”: Gerald Barry Turns Oscar Wilde's Salome Into Dark Comedy

Conductor Nicole Paiement Is an Architect of Contemporary Opera

From Banff wins to Stanford Live, the Poiesis Quartet challenges classical music norms with queer identity and boundary-pushing repertory.

For Haegue Yang’s Star-Crossed Rendezvous, LA Phil and Museum of Contemporary Art Join Forces

From Reality T.V. to the Met, Countertenor John Holiday Says, “If somebody tells me I can’t do something, I show them how I can.”

Juan Diego Flórez is the Next “King of High Cs”

Carolyn Kuan Left the Finance Track to Pursue the Podium

Conductor Alexander Shelley’s Keys to Compelling Music-Making

LA Children’s Chorus Holiday Concerts Usher in a Season of “Peace and Beauty”

From Musetta to Mimi, Janai Brugger Continues to Shine at LA Opera

Sarah Kirkland Snider’s Long-Awaited Operatic Debut Finds its Voice in Hildegard

“Sutra” Brings Eastern Wisdom to the West Coast

Paris Opera Ballet Prepares to Roll Out Its Red Carpet

Opera Parallèle Workshops a New Opera That Connects the Dots Between Art and Science

Limón Dance Company Reimagines the Classics with Timeless Choreography

Pacific Opera Project Brings Pagliacci Outdoors