Tom Jorgensen

The Long Walk is bleak... even by Stephen King standards. Here's our review.

Writer-director Zach Cregger blends unbearable tension and dark humor once more in Weapons.

A wonderfully entertaining, heartfelt cinematic reset for the Man of Steel, and a great start for James Gunn's DC universe on the big screen.

M3GAN 2.0 hotswaps horror for sci-fi/action to mixed results, but M3GAN’s absolutely heinous wit and killer moves leave her, and not the new genres, the star of the show.

28 Years Later Review: Still Scary After All These Years

Final Destination: Bloodlines amps up the absurdity of Death’s design, and the resulting horror-comedy will have you dying laughing.

Recycling The Winter Soldier’s political thriller structure (and even specific plot points) is no way to set Sam Wilson apart from Steve Rogers on the big screen

The Monkey is one of the best horror-comedies (and Stephen King adaptations) in recent memory, exploding off the screen with both gory kills and big laughs.

Full of Ill-conceived action and a poisonously rote script that totally botches its razor-thin examination of toxic masculinity.

Ridley Scott finds strength and honor in a familiar story.