Susan Moore

The National Gallery has pulled off a seemingly impossible feat – to allow us to experience the painter’s intense vision as if for the first time, writes Susan Moore

The International Art Magazine

Henning Hoesch is a winemaker with a habit of making distinctions that extends to his collection of Old Master drawings

Breath of fresh air – Gerhard Richter in the Alps

Fauvism may have been a short-lived movement, but the explosively colourful compositions of Derain, Matisse and co. remain undimmed, writes Susan Moore

Fresh connections between contemporary art and Old Masters come to the fore in this 400-year-old palace, which has been transformed into a museum and home

Works from the 17th century to the present day depict bodies in all kinds of motion at the National Gallery of Canada

The annual event for dealers of art from around the globe celebrates its 20th anniversary on the Left Bank

The knavery and folly of the rarefied art world are writ large in Made You Look, a documentary that picks over the Knoedler forgery scandal

Only one of the artist’s celebrated night scenes remains in private hands – and it comes to auction at Lempertz in Cologne next month

The latest instalment of Art D’Égypte’s annual exhibition is spread across four venues on the historic El Mu’iz street

Modelled on the form of an Italianate palazzo, and adorned with trompe l’oeil polygons, the Newbattle Abbey casket is one of the earliest of its kind

Extracts from Susan Moore’s interview with Baron Lorne Thyssen-Bornemisza about his love of antiquities and the new Kallos Gallery, in Apollo’s April issue