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Susan Moore

Susan Moore

Art Market Correspondent / Associate Editor at Apollo

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Location
United Kingdom
Languages
  • English
Covering topics
  • Art
  • Entertainment

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Recent Articles

apollo-magazine.com

Exhibition of the Year

‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ at the Museo Nacional Thyssen-Bornemisza, Madrid is Apollo’s Exhibition of the Year 2023
apollo-magazine.com

Breath of fresh air – Gerhard Richter in the Alps

Breath of fresh air – Gerhard Richter in the Alps
apollo-magazine.com

A collector with a nose for fine wine and fine art

Henning Hoesch is a winemaker with a habit of making distinctions that extends to his collection of Old Master drawings
apollo-magazine.com

What to see at TEFAF Maastricht 2024

This year’s edition features a gold-ground painting, a French landscape by Turner and a woodblock print by one of Japan’s Living National Treasures
apollo-magazine.com

The Castilian ruin that is now a haven for contemporary art

The International Art Magazine
apollo-magazine.com

Parcours des Mondes offers a world of opportunity

The Paris event celebrating art from around the world returns this autumn with a new focus on modern and contemporary work
apollo-magazine.com

How Van Gogh invented the art of the future

The National Gallery has pulled off a seemingly impossible feat – to allow us to experience the painter’s intense vision as if for the first time, writes Susan Moore
apollo-magazine.com

When London’s sleepy art trade was jolted wide awake

Susan Moore is gripped by an insider account of how the art market in London took off in the late 1950s and has kept on reinventing itself
apollo-magazine.com

Acquisition of the Year

‘The Mocking of Christ’ by Cimabue is Apollo’s Acquisition of the Year 2024
apollo-magazine.com

The ghoulish genius of James Ensor

The painter is usually regarded as an eccentric one-off, but an anniversary season in Antwerp places him firmly among the European avant-garde
apollo-magazine.com

The manly art of Gustave Caillebotte

The French painter was unusual among his Impressionist peers for preferring to depict men at work and at play, writes Susan Moore