Susan Harris

Spanning nearly 400 linear feet, this body of work took ten months to realize and represents Steir’s largest painting installation to date.

What is it that unites us as citizens of a republic where a former slave becomes a great orator for the abolition effort and insists upon education as the means for keeping all men and women free?

Harold Ancart is a Belgian-born, New York-based painter who seems to have catapulted into the limelight in recent years. His first one-person show at David Zwirner in New York fills two of Zwirner’s adjacent 19th Street locations with large, dazzling paintings, all created in 2020, that provide ampl…

Brad Kahlhamer speaks with Susan Harris about how he got his start in the art world, his working relationship with the Heard Museum, and his multi-discipline practice.

James Luna:e a Picture with a Real Indian is a posthumous installation at Garth Greenan Gallery of a performance/installation originally commissioned by the Whitney Museum’s downtown branch in 1991. The piece takes on issues of Native American identity and stereotypes, and explores how they land in…

Since her breakout moment in 2014 when she was catapulted into an arena where art meets fashion meets popular culture, Chloe Wise has become an art fair darling and has demonstrated herself as a witty observer of, and participant in, her millennial generation and culture.

Installed in the first of the two back galleries of Sikkema Jenkins are several suites of modestly scaled drawings from the series “Book of Hours.” Referencing medieval Christian books of hours, the drawings on view reinforce the primacy of privacy. Viewers bear witness to the outpouring of stream-o…

Beverly Semmes’s current show at Susan Inglett Gallery represents the multitude of modes and media with which she has been engaged for the last thirty years while introducing notable new elements that invite reflection on the relationship between her signature dress and ceramic sculptures and her “F…

The disparate parts of Rona Pondick’s metal hybrids came together as unified, albeit disconcerting, wholes, but deliberate disjunctions characterize the new pigmented resin and acrylic pieces that accentuate their literal and spiritual ruptures.

Brad Kahlhamer: Swap Meet is a succinct yet expansive exhibition composed of drawings, paintings, sculptures, and a mobile home trailer woven into a uniquely personal cosmology. Walking into the large open space of the Scottsdale Museum of Contemporary Art reminds me of Kahlhamer’s account of his fi…