Seph Rodney

Most everything in this show, is unsure, a maybe, might be there, might not be, could fulfill your hopes, might leave them by the side of the road.

Wifredo Lam developed a style that dances between figuration and abstraction, but the selected compositions at Pace gallery tend to repeat.

Renée Stout is a Do-It-Yourself Conjurer  Hyperallergic

Jean Shin’s “Fallen” bids goodbye to the longevity we thought we had and mourns it, so that we might let it go.

Six artists provide distinct ways of seeing the Caribbean in its proper orientation.

Photographer Tommy Kha’s Return to Sender exhibition at LMAK Gallery frames him as his own subject — a listless participant in a series of intimate encounters.

Was Banksy Involved in a Banana Prank in Cincinnati?  Hyperallergic

How to Envision the Revolution  Hyperallergic

Gabriel Pérez-Barreiro discusses the impact of rejecting overwrought political themes in a show that welcomes everyone to slow down and focus on their own experience of the art.

The Deathless Aponte and Black Freedom  Hyperallergic

Joiri Minaya presents a series of color photographs along with poetically descriptive texts that reflect on the immigrant experience.

Channeling Julius Eastman, a Gay, African American Composer  Hyperallergic

The exhibition at Invisible Exports, Cheap Suitcase, reflects on how the body is a record of a singular life, but also a random palimpsest of whatever genetic heritage one has.

Feminist Sculptures That Don't Pull Punches  Hyperallergic

I visited Aljira, a Center for Contemporary Art, to see Un l Fixed Homeland less because of the ideas behind it and more because it features a group of Guyanese artists I didn’t know — artists I thought might offer diverse views of history, memory, perception, and documentation.

Choosing Between a Folk Artist's Story and His Work  Hyperallergic

Why Are There So Few Black Full Professors of Art History in the US?  Hyperallergic