Sarah Buder

The artist’s stripped-down metal and wood furniture is influenced by the manufacturing industries of his hometown, London.

To counteract the dreariness of winter in the city, I squeezed in a stay at Eastwind Oliverea Valley, a boutique hotel that touts a “Scandinavian notion of camping without sacrificing comforts.”

After the major craft retailer’s recent bankruptcy filing, I hurried to the store’s nearest location to assess the vibes—and the DIY bargains.

The country’s seminomadic herders have used tentlike, portable homes for millennia. Photographer Matt Dutile visited a few to see how their modern inhabitants are bringing them into the digital age.

The San Francisco rescue’s Instagram-ready new HQ speaks to the growing “barkitecture boom” driven by a widening cultural obsession with our pets.

The DTC furniture brand’s slew of endorsements made me wonder about its IRL quality. Then, I tested one of its extendable dining tables in my 700-square-foot apartment.

A photographer visits his extended family during the island’s olive harvest and documents a tradition of relatives working together—and basically living together too.

The Chinese mobile software helps you keep tabs on loved ones who live alone. To me, its popularity isn’t surprising.

Brutalist flatware, extremely witchy wooden furniture, and drippy candlestick holders made for a tactile show at NYCxDesign’s more curated counterpart to ICFF.

AI-powered toilets. Diagnostic mirrors. In the age of “looksmaxxing” and even “poopmaxxing,” the craze for self-optimization is closing in on where we live.