Samuel Reilly

Architectural photographs at the National Gallery of Art in Washington, D.C. reveal a meeting of Indigenous and colonial styles

Samuel Reilly looks at a carving made from thornwood by the Nigerian artist Justus Akeredolu, a master of his craft

In the Turner Prize-winner’s first major show in Scotland in two decades, his sculptures are best viewed at something of a remove, writes Samuel Reilly

Samuel Reilly finds that the Stone of Destiny makes for a captivating moment of theatre – and is impressed by the thoughtfulness of the rest of the displays

Master of art – the towering legacy of David Sylvester

The plans for the Museum of West African Art in Nigeria point to a new path for postcolonial institutions, writes Samuel Reilly

For its 27th edition, the fair is setting up shop in the galleries of London’s auction houses and welcoming a number of new exhibitors, writes Sam Reilly

A new history of collage around the world is at its best when revaluing the work of women, writes Samuel Reilly

A string of exhibitions marks 250 years since Turner’s birth and a hundred years of art deco, while Amsterdam turns 750 – and Apollo is celebrating its centenary (watch this space)

Works from diverse periods, schools and places rub shoulders at the long-running Brussels event and help keep things fresh, writes Samuel Reilly