Nick Sligh

From Pusha T and Nas to Loyle Carner and WIL$ON, 2022’s quasi-Renaissance in hip-hop has something for all fans, chronicles columnist Nick Sligh.

It’s good, but not great: columnist Nick Sligh dives into SZA’s highly anticipated second studio album and discovers unfortunate oversights unbecoming of the R&B darling.

Don’t know what to listen to? The Stanford Daily is here to help. We have compiled a playlist of our staff’s latest jams. Listen to our picks, and check out our article to learn more about the recommendations.

The album represents Little Simz’ crucial continued personal development as an emerging hip-hop legend, writes Nick Sligh.

Nick Sligh explores the new album from classic abstract hip-hop artist Ab-Soul

“The Great Escape” offers rapper Larry June the innovation needed in his career and expands producer The Alchemist’s audience base, writes Sligh.

In the latest installment of “New Music with Nick,” Nick Sligh reviews Daniel Caesar’s comeback album “NEVER ENOUGH.” Surprisingly, the album lives up to the hype of his impressive debut, writes Sligh.

Jack Harlow’s new album “Jackman.” represents a shift for the rap superstar. “Jackman.” is an astronomical improvement on Harlow’s debut, writes columnist Nick Sligh.

The newly released album “KAYTRAMINÉ” is a fun album for the summer that is not worth over-analyzing, writes Sligh.

The writer of this tenured hip-hop music column reflects upon the past four years of reviews, during which time he has authored eighty-four articles.