Moira MacDonald

A filmmaker confronts the dark history of Native boarding schools, into which children were forced for decades — a story that was, for him, deeply personal.

Filmed six years ago in multiple Seattle neighborhoods, Zia Mohajerjasbi's drama captures a community and a moment in time in an ever-changing city.

"It Ends With Us," based on the novel of the same name, is a weirdly pitched romantic drama that will leave you puzzled and horrified, writes Moira Macdonald.

“Sing Sing,” full of quietly profound moments, is a gentle reminder of the power of art to transform lives, writes Moira Macdonald.

The fate of one of Seattle’s few independent movie houses — and the only first-run cinema in the city's South End — is unclear as it faces an eviction lawsuit.

From summer-movie classics ("Jaws," anyone?) to brand-new documentaries, local indie theaters offer a slew of repertory programming for summer's last wave.

Our writer calls the outfit, worn by Lily Collins' character, Emily, a delightful mashup of "Beetlejuice," Moira Rose of "Schitt's Creek" and "The Lone Ranger.

Two crime novels, newly adapted for streaming, embrace the luxury that a longer running time provides.

Scheming sportswriters? Ardent art dealers? Hollywood hotties? All here, and all cute, in this roundup of newish streaming rom-coms.

The Museum of Illusions, newly arrived in Seattle as part of a large global chain, wants to blow our minds. Does it?