Previous artistic directors have found themselves ripe for a panning. Martin Herbert wonders what will happen to Koyo Kouoh’s In Minor Keys, if anything at all
‘How you align such figures with, or against, the other subjects of Zheng’s art might depend, person-to-person, on your historical knowledge and your inventiveness’
The year in art: In the cursed year 2025, art staged the increasing centrality of a technological revolution that most people didn’t ask for but can’t escape
Over the past 50 years the artist has built up a body of work at once disarming and tender; one that, above all else, makes us think about how we see the world and our place within it
