Madeline Leung Coleman

In Munro’s stories, women blow it all on desire.

‘Monuments of Solidarity,’ LaToya Ruby Frazier’s decades-spanning survey at MoMA wants to ’stand in the gap between working-class and creative-class people.” But her show’s venue makes that impossible.

Our theater critics dreamt up their own theater award categories for the year, including a prize for the worst mom on Broadway.

Italian artist Maurizio Cattelan’s first solo exhibition in decades at Gagosian Gallery is a provocative commentary on America’s ills.

Two critics face off about the actor’s Challengers performance and debate whether she knows how to serve onscreen as well as on the red carpet.

Hand Ashley Park the Keys

“I am not interested in putting an audience on a slow methadone drip of content. I’m more interested in trying to give someone pause.”

In Swarm, she plays a serial-killing superfan who really just wants one thing: to be loved.

Nearly 30 years after the artist’s death, David Zwirner stages two pieces never manifested during his lifetime. How should we think about them?

The theater is finally making people mad.

The week in reviews.

Follow the Charles Mingus method for no more litter boxes.