Madeline Leung Coleman

Tony Tulathimutte’s second book is a hilariously brutal story collection about elder millennials grappling with their sexual failures.

Colored Television, the author’s latest comic novel about a mixed-race Black woman, holds diminishing returns.

The late actress was the master of terrifying vulnerability.

The new documentary ‘I Am: Celine Dion’ depicts the singer living with stiff-person syndrome. But it refuses to be a portrait of a diva in decline.

In Munro’s stories, women blow it all on desire.

Italian artist Maurizio Cattelan’s first solo exhibition in decades at Gagosian Gallery is a provocative commentary on America’s ills.

His first movie script for the sexy tennis drama has taken him from struggling playwright to in-demand screenwriter.

The director is interested in people constrained by society’s rules. In his new film May December, he makes it harder to root for the rule-breakers.

Nearly 30 years after the artist’s death, David Zwirner stages two pieces never manifested during his lifetime. How should we think about them?

The theater is finally making people mad.