Madeline Leung Coleman

In Harriet Clark’s debut, a child lives with the fallout of her family’s radical past.

Her second book is her first work to come from a place of deep hindsight.

But the longtime New Yorker writer doesn’t want to dwell on journalism’s bygone days.

A memoir by Arundhati Roy chronicles her tumultuous relationship with her mother.

Jia Zhangke’s odyssey through 21st-century China is mostly footage shot during the production of other films. The result is staggering.

Behind the making of Careless People, the Facebook tell-all that its publisher insists is “not a book of news.”

If his previous work implies a stacked deck, it stays vague about who stacked it. Anora just tells us: It was the ultrarich.

Tony Tulathimutte’s second book is a hilariously brutal story collection about elder millennials grappling with their sexual failures.

Our theater critics dreamt up their own theater award categories for the year, including a prize for the worst mom on Broadway.

His first movie script for the sexy tennis drama has taken him from struggling playwright to in-demand screenwriter.