Laurie Presswood

One writer takes a look at the evolution of Charli XCX and explores the on-the-surface simplicity of the bratpop genre.

We take a deep dive into the realities of Fringe budgets with a trio of comedians coming to Edinburgh this summer – Sam Lake, Kathleen Hughes and Dean T. Beirne.

Tradfest 2024 showcases the best of parallel folk traditions, the evolution of genres over time, and the face of the new party-loving trad audience.

Luke Rollason uses children’s fairytales to play to his strengths in new hour Luke Rollason, Luke Rollason, Let Down Your Hair.

Dan Tiernan’s second hour Stomp is relentlessly fun, expertly written and delivered with dynamic force.

Natalie Palamides’ WEER is astonishing, chaotic, and a genuine win for the suspension of disbelief.

Katy J Pearson’s latest album Sound of the Morning is filled with momentum, boasting undeniably matured songwriting and a fuller sound.

With a focus tonight on cultural fusion, Anoushka Shankar, Orchestral Qawwali Project and the Scottish Chamber Orchestra mesmerise a Glasgow crowd.

The Royal Scottish National Orchestra Christmas concert puts the audience participation into classical music across the country.

Red Hot Chili Peppers make their long-awaited return to Scotland, bringing all the staples of a classic show (minus one or two songs).