Johnny Oleksinski

After being brought to life, the sexy snowman of Netflix’s “Hot Frosty” can laugh and play just the same as you and me — except a million times dumber. 

In her three-picture deal with Netflix, Lindsay Lohan has been churning out braincell-bursting seasonal movies since 2022.

On Tuesday, the “Crocodile Rock” singer’s “Tammy Faye,” a migraine about mascara set to music, posted its closing notice only five days after opening night. Said a wag: “The shocker is that it’s go…

“Blitz,” loosely gripping, doesn’t tap into our collective idea of what a war film is so much as it does the youthful, perilous journeys through 19th century Britain of Charles Dickens.

There is a miracle elixir in the campy musical “Death Becomes Her,” which opened Thursday night at the Lunt-Fontanne Theatre: Megan Hilty and Jennifer Simard.

Something I won’t be saying on my death bed: “I wish I would’ve watched more shows about boats.”

Sir Elton knows his way around a flop. But even his 2006 vampire debacle “Lestat,” which The Post’s Clive Barnes declared as “bloody awful,” ran a little longer.

The “Dune” actor, who stars in the new film “A Complete Unknown,” out Dec. 25, admitted he was “panicked” to take on the role of the iconic “Like a Rolling Stone” crooner.

Unfortunately for Sir Elton, the godawful musical about flamboyant 1980s televangelist Tammy Faye Bakker is a lot more of a “Lestat” than an “Aida.”

If you see it, yule regret it.