Jen Chaney

Kumail Nanjiani, Annaleigh Ashford, and EPs Rob Siegel and Jenni Konner unpack the scandals at the heart of the Hulu miniseries.

Season five raises a loaded question: Is it possible for oppressors to see the error of their ways?

The choppy but absorbing fifth season of Netflix’s monarchical saga feels divorced from what came before.

The co-creator and star on building a despicable husband and acting out that finale confession: “I would find a little corner and just curse myself.”

Two vampire remakes are currently competing for TV audiences’ attention. Surprisingly, they both have teeth.

Hulu’s Hellraiser, the remake of Clive Barker’s 1987 horror classic, plays it way too safe.

The best thing about this limp satire is Regina Hall’s performance.

How do you resolve music-biopic convention with a genre rooted in unpredictability? Danny Boyle’s Sex Pistols series never quite figures it out.

“I know people have such conflicted feelings.”

The Netflix thriller’s final moments are emblematic of what often made the show more frustrating than fulfilling.

David Simon returns to the world of Baltimore police in a limited series that is not a sequel to The Wire, but is not not a sequel to The Wire.

“I tried to connect to every little notch on the journey, the tick, tick, tick of the time bomb of him having no choice but to face reality.”

A freshman comedy firing on all cylinders, a stellar dramedy ending in peak form, and a highly original thriller are among the year’s best offerings.

The fifth and final season of Pamela Adlon’s treasure of a series shimmers with humanity down to its very last moments.

NBC’s live broadcast captured the divisiveness undergirding the unity at this unique Winter Games.

The Lifetime docuseries is a testament to both Jackson’s tenacity and the limits of showing us who she really is.

TL;DR: Maybe just rewatch Dead to Me.