Jack Hamilton

Seven years after Netflix’s Daredevil was canceled, the MCU has resurrected the superhero for Daredevil: Born Again.

The new movie is about so much more than Sly Stone.

Becoming Led Zeppelin does something better than printing the legend.

Emilia Pérez is not a good movie.

Tim Robinson and Sam Richardson’s brilliant show feels ripe for a rediscovery.

Rebel Ridge is one of the great cinematic experiences of the year, even if you can only stream it at home.

When the series premiered on FX, it was smart and thoughtful television. Not anymore.

A terrific new HBO documentary corrects the record about Stax.

The problem with this genre is more than just the clichés.

Like the mega-selling compilation Legend, One Love markets a very particular version of the reggae pioneer.

Charles Stuart’s murder of his wife was turned into a made-for-TV movie and an awful Marky Mark song. Murder in Boston finally gets it right.

Sly Stone’s autobiography is almost as fascinating as the fact that it exists at all.

The new version is quite literally revelatory.

Dave Marsh made me want to write about music.

The Righteous Gemstones is packed with great comic performances, but one stands out.

“The Boogeyman” is just one of the short stories in the 1978 collection that cemented Stephen King’s status as the master of horror.

Losing one third of De La Soul feels an awful lot like losing De La Soul itself.

The King deserves better than this.

The LP is remembered as revealing the possibilities of the studio, but the band was no less obsessed with the possibilities revealed by Motown and Stax.

Is Black Thought underrated? Would it be possible to overrate him?