Chris O'Falt

Jon Chu on the aspects of the broadway musical that made sense on stage, but were illogical on the big screen and how he fixed them.  

Failure of Filmmaking 101: Not a matter of taste, but an inability to understand why the NBA works as visual dramatic storytelling on our TVs.

Chu sees 'Wicked' as prophetic, speaking not only to 2024 politics, but America in times of transition.

Eisenberg on the filmmaking lessons he brought to 'A Real Pain,' his two favorite films he’s starred in, and getting ready to direct his third film.

David Lowery goes behind the scenes of how his short honors traditional stop motion puppetry, but is actually CG animation.

Sean Baker and production designer Stephen Phelps on the glass mansion overlooking Mill Basin, Brooklyn that became the year's best movie location.

Camerimage festival director's sexist comments draw controversy: Marek Żydowicz’s column responded to a petition to include more female DPs' work.

Matt Reeves on how a deleted scene from 'The Batman' set up 'The Penguin finale's devasting ending.

Cuarón talks about the fuzzy articulation of traumatic memory, refusing to trick the audience, and Cate Blanchett’s prescribed rewrite of Episode 7.

'No Other Land' filmmakers Basel Adra and Yuval Abraham interview: Why no distribution for this doc about a West Bank settlement under threat?