Charles Saufley

Complex tremolo sounds combine in stereo fields that can sound more like underwater swimming than swamp-rocking.

Three thrilling variations on the ’60s-fuzz theme.

A 26 1/4" scale length, beastly pickups, and buttery playability provoke deep overtone exploration and riotous drop-tuning sounds.

Beauty and sweet sonority elevate a simple-to-use, streamlined acoustic and vocal amplifier.

Fat saturation and vibrato meet noise and signal degradation in a unique pedal that will polarize purists and delight deviants.

This $500 solidbody may look like a no-frills machine, but it’s a rock-solid player with features that elevate it above most guitars in its price category.

Low-gain overdrive? Tell that to the amp you just blew up with this Jekyll and Hyde stomp.

The octave fuzz section from the Atreides Weirding Module gets its own star turn in a buzzing bruiser that can be absurd and beautiful.

The featured-packed new delay from Kansas City builder Junior Thomason sounds heavenly, but can be a beast to navigate.

A modulator rooted in rich and varied chorus tones is a launchpad for exploring unusual phase and flange textures—and more.