Ever wonder why there are so many production company logos in front of movies? What did each of those companies actually do, anyway? Here's the answer.
It's tough to match the anxiety-inducing mania of Uncut Gems, but if you're looking for a classic movie that features a desperate protagonist, check this out.
We Live in Time's director tells us about reuniting with Andrew Garfield, compares Florence Pugh to a heat-seeking missile, and much more in this interview.
Taron Egerton plays a TSA agent who's blackmailed by a mysterious villain played by Jason Bateman in Netflix's Carry-On, a new thriller from Jaume Collet-Serra.
Star Wars Outlaws provides a template for Lucasfilm to potentially recapture the casual fans who have been turned off by the recent lore-obsessed TV shows.
The director of Netflix's It's What's Inside once made a promo for the live-action Cowboy Bebop show, and it's bursting with the same creativity as the film.
The full trailer for Squid Game season 2 is here, providing a deeper look at Netflix's return to the post-capitalist hellscape everyone obsessed over in 2021.
When Tombstone and The Thing star Kurt Russell was asked about his favorite movie of all time, he named a film that came out nearly a decade before he was born.
Alex Gibney tells us about directing HBO's two-part doc Wise Guy: David Chase and The Sopranos, including its fascinating recreation of the opening credits.
We spoke with Rebel Ridge director Jeremy Saulnier about Aaron Pierre's terrific lead performance, the influence of First Blood, and the film's ending.
Zoë Kravitz's Blink Twice features some pretty gnarly subject matter, but this reading of the movie's ending makes the film even darker than we thought.
In the pantheon of boneheaded notes from studio execs, the suggestion to cut the final drum scene from Damien Chazelle's Whiplash may be in a class all its own.